The concerts of 2026
A celebration of classical music, art in general, landscapes, and history.
Festival Warm-Up Concert: Tra Mondi – Between Worlds | Cornèr Bank Preview
Inaugural Concert | Julia Lezhneva I | Per Constanze: Mozart’s Great Mass
Next Generation I | Cello Ensemble of the Conservatorio della Svizzera Italiana
Concert Calendar
{mb_concerts_date:H:i} | Festival Warm-Up Concert: Tra Mondi – Between Worlds | Cornèr Bank Preview
Orchestra Sinfonica di Milano
Conductor: Emmanuel Tjeknavorian
Piano: Alexandra Dovgan
{mb_concerts_date:H:i} | Inaugural Concert | Julia Lezhneva I | Per Constanze: Mozart’s Great Mass
Soprano: Marie Lys
Soprano: Julia Lezhneva
Tenor: Matthew Newlin
Bass: Yannick Debus
Tölzer Knabenchor
Kammerorchester Basel
Conductor: Francesco Corti
{mb_concerts_date:H:i} | Next Generation I | Cello Ensemble of the Conservatorio della Svizzera Italiana
Violoncello & Conductor: Claude Hauri
Cello Ensemble of the Conservatorio della Svizzera Italiana
{mb_concerts_date:H:i} | Monte Verità | Musica e letteratura |Music and literature | San Gottardo I
Zora del Buono (Reading DE & IT)
Curator and Moderator: Alain Claude Sulzer
Violin: Daria Zappa
Cello: Mattia Zappa
Accordion: Danilo Boggini
{mb_concerts_date:H:i} | Costellazione Giovani | Next Generation II | Ilya Shmukler
Piano: Ilya Shmukler
{mb_concerts_date:H:i} | Nello specchio di Rossini – In Rossini’s Mirror
Conductor: Finnegan Downie Dear
Camerata Salzburg
Pianos: Lucas & Arthur Jussen
{mb_concerts_date:H:i} | Affetti & Plaisirs | 30 Anni Barocchisti
I Barocchisti
Harpsichord and Conductor: Diego Fasolis
Recorder: Maurice Steger
{mb_concerts_date:H:i} | Bordei – Centovalli | Musica e piacere – Music & Pleasure
Theorbo: Daniele Caminiti
Pietro Leemann – Pioneer of vegetarian gourmet cuisine
Recorder: Maurice Steger
{mb_concerts_date:H:i} | Bordei – Centovalli | Musica e piacere – Music & Pleasure
Theorbo: Daniele Caminiti
Pietro Leemann – Pioneer of vegetarian gourmet cuisine
Recorder: Maurice Steger
{mb_concerts_date:H:i} | Next Generation III | Final Concert – Masterclass Julia Lezhneva
Students
{mb_concerts_date:H:i} | Golden Age | Julia Lezhneva II
Soprano: Julia Lezhneva
Theorbo: Luca Pianca
{mb_concerts_date:H:i} | Ispirazione Ungheria – Hungarian Folk | Vilde Frang I
Violin: Vilde Frang
Piano: Martin Helmchen
Trumpet, Contratambura: Benjamin Eredics
Accordion, Flute, Tambura (Mandolin): Salamon Eredics
{mb_concerts_date:H:i} | Costellazione Giovani | Next Generation IV | Sarang Seohyun Kim
Violin: Sarang Seohyun Kim
Piano: Ryan Wang
{mb_concerts_date:H:i} | Pathétique
Violin: Nemanja Radulović
Conductor: Krystof Urbański
Orchestra della Svizzera Italiana
{mb_concerts_date:H:i} | Spiaggia Castello del Sole | Musica e Piacere – Music & Pleasure
Vocals: Nini Nutsubidze
Piano: Giorgi Gigashvili
{mb_concerts_date:H:i} | Next Generation V | Ascona Baroque Academy – Final Concert I
Section leaders Baroque Orchestra “Il Pomo d’Oro”
Recorder: Maurice Steger
{mb_concerts_date:H:i} | Next Generation VI | Orchestra 1 del Conservatorio della Svizzera italiana
Orchestra 1 della Scuola di Musica del Conservatorio della Svizzera Italiana
{mb_concerts_date:H:i} | Orfeo ed Euridice
Mezzo-Soprano (Orfeo): Cecilia Bartoli
Soprano (Euridice & Amor): Mélissa Petit
Les Musiciens du Prince (Monaco)
Conductor: Gianluca Capuano
Choir: Il Canto di Orfeo
{mb_concerts_date:H:i} | Next Generation VII | Ascona Baroque Academy – Final Concert II
Section leaders Baroque Orchestra “Il Pomo d’Oro”
Recorder: Maurice Steger
{mb_concerts_date:H:i} | Castello Visconteo | Musica e letteratura – Music and Literature | San Gottardo II
Zora del Buono (Reading DE & IT)
Wind Soloists of the Conservatorio della Svizzera Italiana
Curator and Moderator: Alain Claude Sulzer
{mb_concerts_date:H:i} | Tempeste e ardenti nostalgie – Storms and burning nostalgia | Sol Gabetta I
Conductor: Aurel Dawidiuk
Die Deutsche Kammerphilharmonie Bremen
Cello: Sol Gabetta
{mb_concerts_date:H:i} | Next Generation VIII | Final Concert – Masterclass Vilde Frang
Students
{mb_concerts_date:H:i} | JazzAscona meets classicAscona Vision String Quartet & Elina Duni
Trio: Elina Duni & Rob Luft feat. Matthieu Michel
Vision String Quartet
Presale
from February 1, 2026
Online:
Choose seats directly on the website: classicascona.kulturticket.ch
Payment by Visa, Mastercard, Postcard, Apple Pay, Twint or by invoice by mail or electronically.
Telephonically:
Tel: 0900 585 887 or 0900 KULTUR
Monday-Friday, 10:30 a.m.-12:30 p.m.
CHF 1.20 per minute, from landline (Switzerland)
Languages: German, English, French
Tel: +41 91 759 76 45
Language: Italian
Via e-mail:
info@classicascona.ch
Selling points:
throughout Switzerland:
Information at kulturticket.ch
In Ascona:
Tourist Infopoint Ascona, Via Papio 5
From February 1st to August 11th:
Tuesdays 9.00 to 12.00 o’clock
Starting August 17th: Monday to Friday 9.00 to 12.00 and 14.00 to 17.00 o’clock
Frequently asked questions - Answered Briefly
Where can tickets be purchased?
Tickets can be booked online at classicascona.kulturticket.ch, by phone (+41 91 759 76 45: Italian / 0900 585 887: German), or by e-mail (info@classicascona.ch). Booking offices throughout Switzerland can be found at kulturticket.ch.
In Ascona, tickets are on sale at the Tourist Infopoint (Via Papio):
Until August 16: Tuesday 9 a.m.-12 p.m.
From August 17: Monday to Friday 9 a.m.-12 p.m. and 2 p.m.-5 p.m.
Are there any discounts?
Students and apprentices aged 26 or younger receive a 50 percent discount on all presale tickets. While seats last, tickets are free at the evening box office by presenting a valid student or apprentice card. Additional discounts apply to Giovent’Musicale, CDT Club Card, Ticino Ticket, or Ascona-Locarno App holders.
Do I need to reserve a seat?
Reservations are recommended for most concerts. Tickets are also required for free concerts.
How do I get to the venues?
Here you can find information on travel, hotels, maps, and restaurant suggestions. Some venues can be reached by shuttle bus, which can be reserved in advance. Details are available from the respective concerts.
Are there pre-concert talks?
For selected concerts, there will be a free introductory talk. Further details are available in the program of each concert.
Is it allowed to film or take photographs during the concert?
No, filming and photography are generally not allowed.
How long do the concerts last?
The duration of the concerts varies and is indicated on the program page.
Is there a waiting list for sold-out concerts?
No, there is no explicit waiting list. You should check the website or ticket sales regularly, as seats or returns may become available.
Is there a box office?
Yes, the box office is available one hour before the start of the concert, while tickets are available.
Why are some concerts highly booked from the beginning?
Some seats are reserved from the beginning for Amici members, supporters, contributors, and traveling groups. If you would like to become an Amici member and benefit from the right of first refusal, you can register here.